Ay Carmela Mitwirkende
Das Schauspieler-Ehepaar Carmela und Paulino zieht während des spanischen Bürgerkriegs mit seinem kleinen Ensemble durchs Land und spielt vor allem für republikanische Frontkämpfer. Auf einer ihrer Reisen gerät die Truppe jedoch versehentlich in. Ay Carmela! (mit spanischer Interpunktion: ¡Ay Carmela!) ist ein republikanisches Volks- und Mobilisierungslied aus der Zeit des Spanischen Bürgerkriegs. Ay Carmela. Musik und Gesang: Jacob David Pampuch, Constanze Jaiser, Percussion: David Lerch. „Ay Carmela“ (Viva la Quince Brigada). Ay, Carmela! – Lied der Freiheit. von José Sanchis Sinisterra |. Regie: Alejandro Quintana. Ein Spiel zwischen Traum und Wirklichkeit, Diesseits und Jenseits. orkalia.co - Kaufen Sie ¡Ay, Carmela! günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer.
Carmela singt frivole Chansons und zeigt Bein beim Flamenco, Paulino liefert Politkabarett, heroische Lyrik und als Höhepunkt ein Solo als Kunstfurzer. Doch da. von José Sanchis Sinisterra. Regie Jordi Vilardaga. Rachel Matter als Carmela. Antonio da Silva als Paulino. Bühne und Requisite: Stefan Schwarzbach. Ay Carmela! (mit spanischer Interpunktion: ¡Ay Carmela!) ist ein republikanisches Volks- und Mobilisierungslied aus der Zeit des Spanischen Bürgerkriegs. orkalia.co: Alejandro Masso – Ay, Carmela! jetzt kaufen. Bewertung Ay Carmela – Lied der Freiheit. E / I (¡Ay, Carmela!) Drama/Kriegsfilm ( Min.) Carmela und Paulino sind ein Ehepaar, beide Schauspieler und beide. von José Sanchis Sinisterra. Regie Jordi Vilardaga. Rachel Matter als Carmela. Antonio da Silva als Paulino. Bühne und Requisite: Stefan Schwarzbach. ¡Ay, Carmela! Die Wanderartisten Carmela, Paulino und Gustavete muntern die republikanischen Truppen an der Front auf. Auf der Suche nach neuer Arbeit. Carmela singt frivole Chansons und zeigt Bein beim Flamenco, Paulino liefert Politkabarett, heroische Lyrik und als Höhepunkt ein Solo als Kunstfurzer. Doch da.
Ay Carmela - SendetermineTobias Hoffmann, Neue Zürcher Zeitung, Ein Scheisser, Paulino. In gewisser Hinsicht ist Carmela die Trägerin dieser Art Zerbrechlichkeit der Toten, die sich langsam auslöschen, sich in Luft auflösen, wenn man sich nicht an sie erinnert. Die beiden Schauspieler der tri-bühne machen ihre Sache sehr gut, sind konzentriert und präzise. Direkt zum Inhalt. Seit der Premiere am 9. Auch deshalb nicht, weil er die Originalsprache des Autors versteht, sondern weil er das schwere Stück mit leichter Hand unterhaltend und doch bedeutungsschwer mit aller Melancholie inszeniert hat…. Trotz dieser historischen Verortung wirft der Stoff ewig währende Fragen auf, die nicht nur in Zeiten politischer Krisen Bestand haben und sich keinesfalls auf Kunst beschränken lassen: Inwieweit ist der This web page bereit, seine Werte zu click to see more, und Luther (Fernsehserie) wächst die Le Comte De Monte Cristo zum Widerstand? Verwendung fand es darüber hinaus in den Filmen Click here Carmela! Moores Folksong hat zwar ebenfalls den Einsatz der Internationalen Brigaden in Spanien zum Thema, rückt allerdings die Biografien namentlich aufgeführter irischer Brigaden-Freiwilliger in den Fokus. Und du, nimm Silhouette Fisch mir nicht übel, du bist immer ein Scheisser gewesen. Ein harmloses Spiel zur Unterhaltung des Publikums. Ansichten Https://orkalia.co/deutsche-filme-online-stream/die-stragencops-spezial.php Bearbeiten Quelltext bearbeiten Versionsgeschichte. Denn Carmela ist tot. Katalonien kämpfte um click here Erhaltung seiner Kultur und seiner Sprache. Premiere 9.
On the day of the show, both artists are indisposed as Carmela has her period and Paulino has an upset stomach from eating a rabbit which Gustavete, writing on his slate, now confirms to have been a cat.
The presence of the Polish prisoners, who have been brought to witness a mockery of their ideals, greatly upsets Carmela, and she initially refuses to perform a number involving the republican flag.
Structurally, the show is largely similar to the one they used to perform for the republican troops. Musical numbers are followed by a poem, now read by the lieutenant.
The third act involves a comic sketch, "The Republic goes to the Doctor". In this simplistic parody, Paulino plays a gay republican doctor who is visited by a female patient, the Spanish Republic, played by Carmela.
She claims that she has been made pregnant by a Russian lover, played by Gustavete. In a number which gives full scope to all the possible sexual innuendos the audience cares to imagine, Carmela invites the doctor to insert his thermometer in her, to which he refuses, making the excuse that it is broken.
Carmela, increasingly irritated by the mockery of the Republic and enervated by the presence of the Polish soldiers, gradually loses heart in her performance, and her frustration at the mockery of the ideals she holds dear seethes to the surface jeopardizing the credibility of the parody.
The sketch quickly disintegrates as the Polish soldiers begin to rebel in the galleries and the fascists become infuriated.
The scene comes to a climax as Carmela starts singing 'Ay Carmela' and lowers the republican flag to expose her breasts in defiance of the earlier cries of 'Whore!
A nationalist officer then emerges from the stalls, raises a pistol and shoots Carmela in the forehead.
Gustavete suddenly recovers his voice, calling out in anguish, but Carmela falls to the floor dead.
The next scene shows Paulino and Gustavete visiting Carmela's rudimentary grave which they decorate with flowers and the latter's chalk board, now redundant since Gustavete regained his voice when Carmela was shot.
The only words here are spoken by Gustavete — "Come on, Paulino" — as he leads him away. In Saura's earlier films, allusions to the war and to its consequences were characterized by violence and brutality, and if there was any humour at all it was grim and ironic.
In the first part of the play Carmela returns as a ghost to converse with Paulino, blaming him for all that has happened, and in the second part evokes in detail the fatal performance.
The play contains only two characters and a single setting. Saura opened up the story and presented it not in flashback but in a linear manner.
It also allowed much more scope for the relationship and the characters of Carmela and Paulino to evolve and in relation to the events in which they find themselves caught up.
The film takes its title from the song "Ay Carmela", which begins and ends the film. Originally a song from the War of Independence against Napoleon, it had been adapted and became the favourite song of the Republican soldiers and of the International Brigade during the Spanish Civil War.
From Wikipedia, the free encyclopedia. Redirected from Ay Carmela. Theatrical release poster. Goya Award for Best Film.
Films directed by Carlos Saura. Hidden categories: Template film date with 1 release date. See the full list.
A platoon of mismatched republican soldiers cross the front-line to steal the bull that the enemy is going to fight on the saint patron date of the village.
In addition to ruining the Three men go hunting rabbits during a hot day. Heat and talking about events happened in the past make them angry, until they go totally crazy.
At the outbreak of the Spanish Civil War, the nun Maria is forced to flee her convent. She takes refuge in a brothel, until it is liberated by a woman's anarchist group.
Maria joins the For Moncho, it's an idyllic year: he starts school, he has a wonderful teacher, he makes a friend in Roque, he begins to figure out some of the mysteries of Eros, and, with his older In the fantastic world of the "bosque animado" meet some people who have been transported to this place by a magic force.
Now their histories cross one another. He rents a room from a widow Abril , and shortly begins a torrid Francisco Goya , deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII.
He's living with his The movie tells the story of a family of comedians that work in the towns of Spain during the 40's and 50's.
Life gets very tough for them since they cannot compete any longer with cinema. Spain, s. People from a very poor family work in the country, at the service of a rich family of landowners Paulino and Carmela are husband and wife, troubadours touring the countryside during the Spanish Civil War.
They are Republicans, and with their mute assistant, Gustavete, they journey into rebel territory by mistake.
They are arrested, fear a firing squad, and receive a reprieve from an Italian Fascist commander who loves the theatre.
He arranges a performance for his troops, bargaining with Paulino to stage a burlesque of the republic in exchange for the actors' freedom.
Will the fiery and patriotic Carmela consent? I only wanted to say that it was not until the second time that I watched it that I began to really appreciate the complexity of the story, is web of ironies, and the extent of the moral dilemmas with which the different characters really had to confront and deal with Carmen Maura was brilliant in the complex role of Carmela, as were the two male supporting actors in their respective roles.
I only wish that the subtitles would have done the rich Spanish dialogue more justice. So many nuances had to be left out, but those I suppose are the limitations inherent in subtitles, no matter how competently they may be done.
Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites.
Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews.
Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. They are Republicans, and with their mute assistant, Gustavete, they journey into Director: Carlos Saura.
Available on Amazon. Added to Watchlist.
Centinela as Rafael Diaz Chema Mazo Alcalde Antonio Fuentes Cacique as Mario Martin Emilio del Valle Cabo Cardoso Silvia Casanova Mujer presa Alfonso Guirao Learn more More Like This.
The Heifer Comedy War. The Hunt Drama Thriller. Libertarias Drama History War. Butterfly Comedy Fantasy. Lovers: A True Story Crime Drama Romance.
Goya in Bordeaux Biography Drama War. Welcome Mr. Certificate: Tous Public Comedy. Deprisa, Deprisa Certificate: 16 Crime Drama.
Angela begins to hang around with Pablo and his gang of young robbers. L'amour sorcier Music Drama.
Voyage to Nowhere Comedy Drama. Les saints innocents Edit Storyline Paulino and Carmela are husband and wife, troubadours touring the countryside during the Spanish Civil War.
Edit Did You Know? Trivia Embeded with prejudice, Carlos Saura didn't want to cast Carmen Maura as the lead, and he told her so.
Instead of feeling bad, Maura decided to prove him wrong and gave such a powerful audition that the director casted her in the act.
Was this review helpful to you? Yes No Report this. But their bombs can do nothing, Rumba la rumba la rumba la! Even as we fight, Rumba la rumba la rumba la!
Viva la Quince Brigada, rumba la rumba la rumba la. Luchamos contra los moros, rumba la rumba la rumba la. Solo es nuestro deseo, rumba la rumba la rumba la.
En los frentes de Jarama, rumba la rumba la rumba la. Long live the Fifteenth Brigade , Rumba la rumba la rumba la!
Long live the Fifteenth Brigade, Rumba la rumba la rumba la! We fight against the Moors, Rumba la rumba la rumba la; We fight against the Moors, Rumba la rumba la rumba la,.
Our only desire, Rumba la rumba la rumba la! On the Jarama front , Rumba la rumba la rumba la! We're now leaving Spain, Rumba la rumba la rumba la!
Viva la quinta brigada, Rumba, la rumba, la rumba, la, Viva la quinta brigada, Rumba, la rumba, la rumba, la,. Luchamos contra los moros, Rumba, la rumba, la rumba, la, Luchamos contra los moros, Rumba, la rumba, la rumba, la,.
Ya las fuerzas invasoras, Rumba, la rumba, la rumba, la, Ya las fuerzas invasoras, Rumba, la rumba, la rumba, la,. En los frentes de Granada, Rumba, la rumba, la rumba, la, En los frentes de Granada, Rumba, la rumba, la rumba, la,.
From Wikipedia, the free encyclopedia. This article is about the song. Military flag of the Spanish Republic. The audience is enthusiastic during her performance, but the mood changes completely when the sound of approaching nationalist planes is heard.
As the planes fly overhead, Paulino reads a poem by Antonio Machado which introduces a note of patriotic fervour in accordance with republican feeling in The seriousness of the moment is followed by a comic routine in which Paulino twists himself into a variety of ridiculous postures in an attempt to break wind.
The fourth and final act is a 'tableau vivant' in which Carmela represents justice while Paulino brandishes the republican flag and they sing a song of freedom.
The dangers and deprivation that they encounter in the republican side encourage the trio to go to Valencia.
To obtain gasoline for the trip Carmela has to distract a republican truck driver while Paulino and Gustavete steal the fuel. They make this difficult journey on a misty night and inadvertently end up in nationalist territory.
They are detained by a nationalist officer and are incriminated by the republican flag they carry amongst their props. They are arrested and taken as prisoners to the local school, which serves as a prison camp where the republicans are held.
Carmela befriends a fellow prisoner: a Polish soldier member of the International Brigade and is surprised that he has come to fight in Spain, a foreign land whose name he cannot even pronounce.
In an atmosphere of mounting tension and terror, some of the prisoners are taken away to be shot. Carmela, Paulino and Gustavete are driven away in an army car.
They are convinced that they are also going to be killed, but instead they are taken to the local theatre where they meet an Italian officer, Lieutenant Amelio di Ripamonte.
Surprisingly, the lieutenant, learning that they are performers, wants them to take part in a show he has been planning to entertain the nationalist troops.
They must stage a burlesque of the Republic in exchange for their freedom. For the variety show that they are to perform to the nationalists, Paulino rewrites their old script.
From the outset, the fiery and patriotic Carmela is defiant and unwilling to go along with it, displaying her true convictions as an anti-fascist.
However, Paulino persuades her that since their lives are at stake she must collaborate in the performance of the now anti-republican numbers.